Year of the Horse
Burnt Goods and Tron Theatre Company
The final year of artist and writer Harry Horse, who died in Shetland in January 2007, provided the words and images for this solo performance by Tam Dean Burn, which takes the form of a digital exhibition accompanied by an compelling audio tour.
The actor provides the voice of the artist, whose richly poetic texts were published alongside his striking images after his editor at the Sunday Herald asked him 'to deconstruct [his] doodlings' at the beginning of 2006.
"It's difficult to imagine anyone more effectively voicing this artist's eloquent thoughts"
That images of violence and death pervade the work is not surprising, given that the 'War on Terror' in its various guises was his primary subject matter. However, it's difficult not also to read into some of the more disturbing images and phrases hints of the artist's own troubled psyche, knowing now of the circumstances of his death.
Horse's extraordinary images are neither doodlings nor cartoons – his false modesty would have fooled no-one. His speciality was not of-the-moment observations about the politics of the day, week or year; satirical funnies to be appreciated for a couple of seconds and then forgotten. Some of his creations – such as his bleached skill with the distorted, almost embryonic faces of Bush and Blair in its eye sockets – were designed to haunt, while other less literal renderings remain powerfully disquieting.
This presentation of 52 of Horse's images in a single hour highlights his incredible ability to capture the essence of a single figure in endless different ways. He portrayed Tony Blair in contrasting styles as a rat, a devil, a Big Brother figure and even as a landscape, 'Blair's island of the dead'.
Tam Dean Burn has set himself quite a challenge in turning a regular newspaper feature into a performance, and the show suffers from a loss momentum towards the end, but it's difficult to imagine anyone more effectively voicing this artist's eloquent thoughts and fears on war, politics, contemporary culture and state surveillance.
Reviewed in February 2009.
No Edinburgh Fringe performances on August 10, 17 or 24.
From February 19 2009 to February 28 2009 at Tron Theatre, Glasgow. Tel: 0141 552 4267. www.tron.co.ukFrom August 6 2009 to August 31 2009 at Assembly @ George Street, Edinburgh; show starts 18:05, running time 1:00. Tel: 0131 623 3030. www.assemblyfestival.com
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What the papers said:
The Times:
*** "If [it] doesn't sound like much of a show, you are not reckoning on the visceral impact of the drawings at such a large scale or the quietly mesmerising quality of Dean Burn's voice"
*** "If [it] doesn't sound like much of a show, you are not reckoning on the visceral impact of the drawings at such a large scale or the quietly mesmerising quality of Dean Burn's voice"
The Herald:
**** "An intensely powerful piece of polemic and poetry"
**** "An intensely powerful piece of polemic and poetry"
The Scotsman:
**** "Likely to emerge – in Edinburgh this August – as one of the most powerful Scottish theatre pieces of the year"
**** "Likely to emerge – in Edinburgh this August – as one of the most powerful Scottish theatre pieces of the year"
The List:
**** "What emerges is a frightening vision ... of a vacuous consumer society"
**** "What emerges is a frightening vision ... of a vacuous consumer society"
Fest:
*** "A sensitive tribute to the work of a talented artist"
*** "A sensitive tribute to the work of a talented artist"
Blog verdicts:
View From The Stalls:
"I desperately wanted to hear why each of the works had an impact on Burn, and what he took from them"
"I desperately wanted to hear why each of the works had an impact on Burn, and what he took from them"
Caledonia's Californian Critic:
*** "It may not be theatre as you know it, but it is still a worthy production"
*** "It may not be theatre as you know it, but it is still a worthy production"
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