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****

The World's Wife

Linda Marlowe, Directed By Di Sherlock

Linda MarloweReviewed at the Edinburgh Fringe 2009.

There are a lot of women connected with this show, most of them dead or mythical. However, two are very much alive and are jointly responsible for the sheer wit, verve, drive and exhilaration of it.

"Does magnificent service to a terrific group of poems ... not to be missed"
One is the new Poet Laureate Carol Ann Duffy, who wrote the poems that give the feminine perspective on some of the world's great(?) men.

The other is the sublime Linda Marlowe, who performs them with the intensity for which she is renowned but also with a sharp comic timing that often leaves you gasping.

Just try her Eurydice, who certainly didn't want to be dragged from Hades by that self-centred minstrel Orpheus. Or the Kray Sisters, celebrants of woman's suffrage who made 1960s London safe from muggings. And then there's Mrs Midas who took very special care that her husband never touched her once his gift was bestowed upon him.

There are also the serious poems, none more so than The Devil's Wife, which Marlowe made quite clear is about Myra Hindley. Or Medusa, she of the permanent bad hair day, who is very touchingly portrayed.

My particular favourite was Circe, the Southern USA cook with a thing for pigs. I also loved Mrs Beast, whose husband never hides anything, to her obvious delight.

This is one of the events of the Fringe, a brilliantly performed piece of theatre that does magnificent service to a terrific group of poems. Truly one not to be missed

Reviewed at Assembly @ George Street at the 2009 Edinburgh Fringe.

From August 6 2009 to August 31 2009 at Assembly @ George Street, Edinburgh (part of Edinburgh Fringe); show starts 13:10, running time 1:10. Tel: 0131 623 3030. www.assemblyfestival.com

From August 17 2010 to August 19 2010 at Edinburgh International Conference Centre, Edinburgh (part of Edinburgh Fringe); show starts 19:40, running time 1:10. Tel: 08704 000886. www.edfringe.com

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What the papers said:
The Scotsman:
**** "A rich and rollicking ride through the dark and dangerous aspects of womankind"
The Guardian:
*** "Duffy's work has a natural theatrical turn, but there are still times when this show doesn't feel like anything more than a staged Poetry Please"

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