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The Monster in the Hall

TAG Theatre

The Monster in the HallWhen the lead character is introduced, by an all-American harmony group in pink sunglasses, as a Miss Duck Macatarsney, it's a sure sign that this is going to be no ordinary 75 minutes.

"Beautifully observed, cleverly constructed and very enjoyable"
David Greig's latest play for young people is a wildly imaginative, multi-dimensional musical farce combining motorbikes and multiple sclerosis, sixties girl groups and social services, fairy tales and fantasy roleplay.

The core plot is fairly straightforward – an impending visit from social services throws the Macatarsney household into even more chaos than usual, and the arrival of some unexpected guests only adds to the confusion – but the telling is anything but. Four actors hurl themselves around a tiny, bare stage, providing live sound effects and every so often bursting into song as young carer Duck escapes into a dream world.

Anyone who saw TAG's production of Greig's outstanding Yellow Moon will recognise the style, and some of the actors, and while The Monster In The Hall doesn't quite reach the same heights, it's still beautifully observed, cleverly constructed and very enjoyable.

The unforgiving acoustics of the Reidvale Centre auditorium didn't make things easy for the cast early on in their tour, but it they were fazed, they didn't show it.

Keith Macpherson and David Carlyle are great as Duck's dad Duke and love interest Lawrence, and Beth Marshall has the most fun as two contrasting and pleasingly three-dimensional visitors, but it's Gemma McIlhinney's 16-year-old Duck around whom they all revolve. She's flawed but charming, confident but scared, and sympathetic but certainly no victim. She's the sort of heroine who is all too rarely found on stage or on screen.

Under the direction of Guy Hollands, with choreography by Andrew Panton and fabulous bursts of music from Nigel Dunn and Stephen Wright, it's all made to look easy. The odd touch may be just a little too obvious – a brief Mastermind appearance is packed with exposition – but it's all performed with a wink and a smile and even the most sceptical teenagers are likely to be swept along for the ride.

Reviewed at the Reidvale Centre in Dennistoun, Glasgow.

From October 4 2010 to October 6 2010 at Eastwood Park Theatre, Giffnock. Tel: 0141 577 4970. www.eastwoodparktheatre.co.uk

October 7 2010 at Reidvale Centre, Glasgow. Tel: 0141 554 5315.

October 14 2010 at Hamilton Town Hall, Hamilton. Tel: 01698 452299. www.southlanarkshire.gov.uk

October 15 2010 at Sanquhar Town Hall, Sanquhar. Tel: 01659 58246.

October 18 2010 at Rutherglen Town Hall, Rutherglen. Tel: 0141 613 5700.

October 20 2010 at Drumchapel Community Centre, Glasgow. Tel: 0141 276 0560.

October 21 2010 at Ruchill Community Centre, Glasgow. Tel: 0141 946 8161.

October 22 2010 at Cumbernauld Theatre, Cumbernauld. Tel: 01236 732887. www.cumbernauldtheatre.co.uk

October 28 2010 at Castlemilk Community Centre, Glasgow. Tel: 0141 634 2233.

October 29 2010 at Bellshill Cultural Centre, Bellshill. Tel: 01698 346770.

From November 2 2010 to November 13 2010 at Citizens' Theatre, Glasgow. Tel: 0141 429 0022. www.citz.co.uk

From August 4 2011 to August 28 2011 at Traverse Theatre, Edinburgh (part of Edinburgh Fringe); show starts at various times, running time 1:15. Tel: 0131 228 1404. www.traverse.co.uk

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What the papers said:
The Herald:
** "The madcap flow of comic exaggerations and improbable situations becomes – like the cute, but over-amplified songs - oddly alienating"
The Times:
"A brilliant ensemble … it took about four minutes to win over the audience of young teenagers"
The Guardian:
**** "Where many a writer would have tackled this theme sanctimoniously, Greig treats it with heady irreverence ... a tightly drilled ensemble"
The Scotsman:
**** "Has a huge, flexible theatrical energy that fairly captures the heart"

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